Novedades del estudio / News from the studio

1) Ya llegó a nuestro estudio el Master Buss Portico II, sumador de mastering diseñado y fabricado por Rupert Neve Designs. Este sumador se agrega a una larga lista de equipamiento analógico y digital de última generación, que marca una diferencia fundamental cuando se requiere un mastering de excelencia.

1) The Rupert Neve Designs’ Portico II Master Buss Processor has arrived to our studio. This processor joins our extensive list of analog and digital state-of-the-art equipment, which makes an essential difference for high-end masterings.

2) En las últimas semanas trabajamos junto con las siguientes bandas y artistas: InCorp Sanctis (Arg.), Blaf! (Arg.), Octavio Suñé (Venezuela), La Sonata (Arg, coproducido por Sebastián Choque), Canticuénticos (Arg.), Agustín Sagüés (Arg.), Jurgens Schoeman (Alemania), Shay D. (USA) y Martín Díaz Vélez (Arg.).

2) For the last few weeks, we have been working alongside the following bands and artists: InCorp Sanctis (Arg.), Blaf! (Arg.), Octavio Suñé (Venezuela), La Sonata (Arg, coproduced by Sebastián Choque), Canticuénticos (Arg.), Agustín Sagüés (Arg.), Jurgens Schoeman (Germany), Shay D. (USA) and Martín Díaz Vélez (Arg.).

3) En los próximos días entra en pre-producción el segundo disco de la notable banda argentina Abril y el Limonero Mágico, que será producida por Andrés Mayo durante 2016.

3) Abril y el Limonero Magico’s second disc will enter the pre-production stages in the next few days, and Andres Mayo will be producing this project during 2016.

4) Hasta el 15 de Febrero está abierta la postulación para la decimoctava entrega de los Premios Gardel, organizada por CAPIF (Camara Argentina de Productores e Industriales de Fonogramas). Como cada año, ayudaremos a los músicos que trabajaron con nosotros a postular sus respectivos discos.

4) The call for entries to the 18th Gardel Awards - organized by CAPIF (the Argentinian record label chamber) - is open until February 15th. . Just like every year, we will be helping the musicians who have worked with us to submit their own records.

5) Enero fue un mes de intensa actividad para la Audio Engineering Society (AES) : entre el 21 y el 24 de este pasado mes se realizó la NAMM (National Association of Music Merchants), el principal encuentro del mundo para los comerciantes de la industria de la música. Andrés Mayo viajó a California para participar de NAMM y también asistió a VRLA, el encuentro de desarrolladores de Realidad Virtual de Los Angeles, y a la reunión mensual de AES LA.

5) January was an intense month for theAudio Engineering Society (AES): From Jan 21st hrough Jan 24th, we had our booth the NAMM Show (hosted by the National Association of Music Merchants), a worldwide renowned event. Andres Mayo traveled to Los Angeles to take part on this huge event, and he also attended the monthly meeting of the AES Los Angeles Section.

The LA Section meeting, hosting a panel on Multi-channel and Multi-format mixing

6) El calendario de actividades de AES para todo el año incluye: The Challenges of Creating a Multi-Channel, Multi Platform Product: Realizada el 26 de Enero en Los Angeles, la Audio Engineering Society presentó junto con la un seminario de mezcla multicanal (Atmos, Auro 3D, etc). Los panelistas fueron Anthony Lamberti, Greg P. Russell, David Gould, Michael Karagosian y Jim DeFilippis.

Futuros eventos:

AES 60th Conference on Dereverberation and Reverberation of Audio, Music, and Speech. Leuven, Belgium, 3 al 5 de Febrero.
AES 61th Conference on Audio for Games. Londres, UK, 10 al 12 de Febrero
AES México Convention. México DF, 13 al 15 de Marzo
AES Brasil Convention. Sao Paulo, 16 al 19 de Mayo
AES 140th European Convention: Paris, 4 al 7 de Junio.
AES 62nd Conference on Sound Field Control. Guilford, UK, 18 al 20 de Julio.
I CA 2016 (International Congress of Acoustics). Buenos Aires, 5 al 9 de Septiembre, realizado con el apoyo de AES Internacional.
AES 141th Convention. Los Angeles, 28 Sept al 1 de Oct
AES Conference on Audio for Virtual and Augmented Reality. Esta Conferencia especializada tendra lugar en el Centro de Convenciones de Los Angeles y será coordinada por Andres Mayo y Linda Gedemer. 28 Sept al 1 de Oct.

6) The AES yearly calendar includes: The Challenges of Creating a Multi-Channel, Multi Platform Product: Held on January 26th in Los Angeles, the Audio Engineering Society presented this seminar together with the Society of Motion Picture and Television Engineers, which focused on multichannel mixing (Atmos, Auro 3D, etc). The panelist for this event were Anthony Lamberti, Greg P. Russell, David Gould, Michael Karagosian y Jim DeFilippis.

Future Events:

AES 60th Conference on Dereverberation and Reverberation of Audio, Music, and Speech. Leuven, Belgium, from February the 3rd through the 5th.
AES 61th Conference on Audio for Games. London, UK, from February the 10th through the 12th.
AES México Convention. México City, from March the 13th through the 15th
AES Brasil Convention. Sao Paulo, from May 16th through the 19th
AES 140th European Convention: Paris, from June the 4th through the 7th.
AES 62nd Conference on Sound Field Control. Guilford, UK, from July the 18th through the 20th.
ICA 2016 (International Congress of Acoustics). Buenos Aires, from September the 5th through the 9th, with the support of AES Internacional.
AES 141th Convention. Los Angeles, from September the 28th through October the 1st
AES Conference on Audio for Virtual and Augmented Reality. This specialized Conference will take place in the Los Angeles Convention Center and will be coordinated by Andres Mayo and Linda Gedemer . From September the 28th through October the 1st